{"id":2405,"date":"2016-12-19T17:50:21","date_gmt":"2016-12-19T17:50:21","guid":{"rendered":"http:\/\/ficae.es\/?page_id=2405"},"modified":"2017-02-18T11:09:32","modified_gmt":"2017-02-18T11:09:32","slug":"seccion-oficial-3ficae","status":"publish","type":"page","link":"https:\/\/ficae.es\/en\/seccion-oficial-3ficae\/","title":{"rendered":"OFFICIAL SECTION 3FICAE"},"content":{"rendered":"

<\/p>\n

\n

FICTION<\/strong><\/p>\n

\n

L\u2019age de deraison<\/strong><\/em> (Age of Unreason), Braunstein Philippe, Francia, 20\u2019
\nAvalon<\/strong><\/em>, Vincenzo De Jonghe, B\u00e9lgica, 13\u2019
\n\ud6a8\uc790<\/strong> (A Good Son), Sangwook Ahn, Corea del Sur, 14\u2019
\nRaisa<\/strong><\/em>, Pavel Cuzuioc, Moldavia, 15\u2019
\nLa voix du p\u00e8re<\/strong><\/em> (Rock\u2019n\u2019Roll Will Never Die), Mathias Rifkiss\/Colas Rifkiss, Francia, 20\u2019
\n20 minutes<\/strong><\/em>, Asal Gharib, Ir\u00e1n, 10\u2019
\nLaisse moi<\/strong><\/em> (Leave Me), Tommaso Gorani, Francia, 17\u2019
\nFaux d\u00e9part<\/strong> <\/em>(Almost There), Fran\u00e7ois Za\u00efdi, Francia, 9\u2019
\nBorn in Battle<\/strong><\/em>, Yangzom Brauen, Suiza, 20\u2019
\nYamuk Ev <\/strong><\/em>(The Skewed House), \u00d6mer Ka\u00e7ar, Turqu\u00eda, 13\u2019
\nClean Dating<\/strong><\/em>, Yan Decoppet\/C\u00e9dric Gottet, Suiza, 9\u2019
\nGIVE<\/strong><\/em>, Ilias Walchshofer, Alemania, 15\u2019
\nDonde caen las hojas<\/strong><\/em> (Where Leaves Fall), Alicia Albares Mart\u00ednez, Espa\u00f1a, 19\u2019
\nThe Stroll<\/strong><\/em>, Ki-hun Shin, Corea del Sur, 13\u2019
\nPomahoba<\/strong><\/em> (Romanova), Taymuraz Gogaev, Rusia, 16\u2019
\nPromissum<\/strong><\/em>, Sverre Gr\u00e5blomst Galgum, Noruega, 6\u2019
\nLa profesora de ingl\u00e9s<\/strong><\/em> (The English Teacher), Al\u00e1n Gonz\u00e1lez, Cuba, 16\u2019
\n\uc548\uac1c \uc704\uc5d0<\/strong> (Above the Mist), Gabriel Galand, Corea del Sur, 8\u2019
\nVida<\/strong><\/em> (Life), Rub\u00e9n R\u00edos, Espa\u00f1a, 17\u2019
\nNice Job<\/strong><\/em>, Tigran Sahakyan, Rusia, 13\u2019
\nThe Truants<\/strong><\/em>, Aaron Dunleavy, Reino Unido, 13\u2019
\nLa voz del agua<\/strong> (The Voice of the Water), \u00c1lvaro El\u00edas, Espa\u00f1a, 20\u2019
\nDopado,<\/strong><\/em> Piotr Wieckowski, Polonia, 15\u2019
\nZiba<\/strong><\/em>, Ali Farkhonde, Turqu\u00eda, 9\u2019
\nCon sana alegr\u00eda<\/strong><\/em> (Days of Wholesome Joy), Claudia Mu\u00f1iz P\u00e9rez, Cuba, 18\u2019
\nInside the Wolf\u2019s Belly: Adventures of Little Red Cap<\/strong><\/em>, Lidiya Huzhva, Ucrania,10\u2019
\nKolleguen<\/strong><\/em> (Colleagues), Damian Weber, Alemania, 11\u2019
\nBellanca,<\/strong><\/em> V\u00edctor Nores, Espa\u00f1a, 18\u2019
\nSaudade<\/strong><\/em>, Sahori Pacheco, M\u00e9xico, 16\u2019
\nNon \u00e8 volare<\/strong><\/em> (It\u2019s not About Flying), Marcello Cotugno, Italia, 14\u2019
\nHidden Time<\/strong><\/em>, Cewna DourandiSean, Ir\u00e1n,14\u2019
\n\u0635\u0628\u0627\u062d \u0627\u0644\u0646\u0648\u0631<\/strong> (Good Morning), Alhasan Yousef, Rep\u00fablica \u00c1rabe Siria, 13\u2019
\nRusl<\/strong> <\/em>(Garbage), Andri Eyjolfsson, Islandia, 6\u2019
\nSiege<\/strong><\/em>, Thaer Al Shamali, Rep\u00fablica \u00c1rabe Siria, 2′<\/p>\n

\n

DOCUMENTAL<\/strong><\/p>\n

\n

What Time Is It?<\/strong><\/em>, Karine Versluis, Pa\u00edses Bajos, 6\u2019
\nEl abuelo<\/strong><\/em> (The Grandfather), Carlos Cuadrado Torrico, Espa\u00f1a, 18\u2019
\nSurrender<\/strong><\/em>, Julien Gignac, Canad\u00e1, 17\u2019
\nLa geometria fragile della memoria<\/strong><\/em> (A Fragile Geometry), Ambra Tonini, Italia, 5\u2019
\nSoy Unoentrecienmil,<\/strong><\/em> Pen\u00e9lope Cruz, Espa\u00f1a, 30\u2019
\nDUST – The wanted life<\/strong><\/em>, Gabriele Falsetta, Alemania, 22\u2019
\nAlle tankers slekt<\/strong><\/em> (All Thoughts Are Kin), Aleksander Johan, Noruega, 25\u2019
\n\u5bb6<\/span><\/strong> (Home)<\/strong><\/em>, Jabez Koh, Singapur, 6\u2019
\nLos ni\u00f1os que salieron de un agujero negro<\/strong><\/em> (Children Who Came Out of a Black Hole), David Esquivel, Espa\u00f1a, 15\u2019
\nFarv\u00e4l<\/strong><\/em> (Farewell), Anna Melin, Suecia, 5\u2019
\nMeta<\/strong><\/em>, Andr\u00e9 Baeta \/ Miguel Trevisan, Portugal, 23\u2019
\nHorizonte de eventos<\/strong><\/em> (Event Horizon), Gil Baroni, Brasil, 15\u2019
\n\u0416\u0435\u043d\u0449\u0438\u043d\u044b +<\/strong> (Women+), Nastia Kuzyakova, Rusia, 20\u2019
\nSpeechless in Japan<\/strong><\/em>, Weronika Mliczewska, Polonia, 24\u2019
\nMut zum Leben<\/strong>\u00a0<\/em>(Courage to Live<\/em>), Claire Walka \/ <\/span>Petra Wernz, Germany, 14\u2019, Documentary
\nM\u00f3j pierwszy raz<\/strong> <\/em>(My First Time in Life), Krzysztof Ku\u017anicki, Polonia, 15\u2019
\nIsabella Morra<\/strong><\/em>, Isabel Pagliai, Francia, 22\u2019
\nRiphsime and Shota<\/strong><\/em>, Lasha Basharuli, Georgia, 13\u2019
\nNouazeci si doi mai mult sau mai putin<\/strong><\/em> (Ninety-two More or Less), Brindusa Ioana Nastasa, Ruman\u00eda, 17\u2019
\nSterre<\/strong><\/em>, Catherine van Campen, Pa\u00edses Bajos, 19\u2019
\nA World Within Four Walls<\/strong><\/em>, Patdeep Chaudhuri, India, 23\u2019
\n\u062f\u0631 \u0622\u0631\u0627\u0645\u0634 \u0646\u0641\u0633 \u0628\u06a9\u0634<\/strong> (Breathe in Peace), Mehdi Kuhkan, Ir\u00e1n, 11\u2019
\n[j\u00fcrg]<\/strong><\/em>, Raphael Meyer, Suiza, 19\u2019
\nBlood Sugar<\/strong><\/em>, Joe Hitchcock, Nueva Zelanda, 4\u2019
\nPersona. Estructuras primarias<\/strong> <\/em>(Persona. Primary Structures), Mikel Belascoain \/ Miguel Go\u00f1i Aguinaga <\/span>, Espa\u00f1a, 30\u2019, Documental
\nGemelos<\/strong><\/em> (Twins), Pablo Radice, Argentina, 13\u2019
\nSi la gente no te entiende, busc\u00e1 otra gente<\/strong><\/em> (If People Don’t Get You, Get Other People), Paula Pallares, Argentina, 16\u2019
\n\u0110\u00e0n B\u1ea7u Lullaby <\/span><\/strong>(Dan Bau Lullaby)<\/span>,<\/strong><\/em> Jakeb Anhvu, Vietnam, 9\u2019
\n\u0424\u0435\u043b\u0434\u0448\u0435\u0440\u044a\u0442 \u0441 \u043c\u043e\u0442\u043e\u0440<\/strong> (The Paramedic on a Motorbike), Borislav Stankov, Bulgaria, 25\u2019
\nMr. Joe Lives Alone<\/strong><\/em>, Daneeta L Jackson, Estados Unidos, 6\u2019
\nLa casa de piedra<\/strong><\/em>, (The Stone House<\/span>), Vanesa Abajo P\u00e9rez, Espa\u00f1a, 12\u2019
\nAlan<\/strong><\/em>, Mohammad S.Jouri, Irak, 9\u2019
\nSU PUATA MADRE<\/strong><\/em>, Beatriz Regueira Pons, Espa\u00f1a, 24\u2019<\/p>\n

\n

ANIMATION<\/strong><\/p>\n

\n

One Last Dance<\/strong><\/em>, Will Rowson, Reino Unido, 4\u2019
\nSHELL<\/strong><\/em>, Daniel Ahrens, Alemania, 4\u2019
\nLingua Absentia<\/strong><\/em>, Kate Raney, Estados Unidos, 10\u2019
\nImmersion,<\/strong><\/em> Lalita Brunner, Suiza, 4\u2019
\nPowerman<\/strong><\/em>, Alberto Serrano, Colombia, 9\u2019
\nOkay?, <\/strong><\/em>Triet Le, Estados Unidos, 2\u2019
\nHanging<\/strong><\/em>, Nick LeDonne, Estados Unidos, 6\u2019
\nMama, Tata, trebuie sa va spun ceva<\/strong><\/em> (Mom, Dad, I Have to Tell You Something)<\/span>, Paul Muresan, Ruman\u00eda, 6\u2019
\nRandom Walks<\/strong><\/em>, Borb\u00e1la Tompa, Hungr\u00eda, 7\u2019
\nDataMine,<\/strong><\/em> Tim Tracey, Canad\u00e1, 6\u2019<\/p>\n

\n

 <\/p>","protected":false},"excerpt":{"rendered":"

FICTION L\u2019age de deraison (Age of Unreason), Braunstein Philippe, Francia, 20\u2019 Avalon, Vincenzo De Jonghe, B\u00e9lgica, 13\u2019 \ud6a8\uc790 (A Good\u2026<\/p>\n

Continue leyendo<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2405"}],"collection":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/comments?post=2405"}],"version-history":[{"count":23,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2405\/revisions"}],"predecessor-version":[{"id":3226,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2405\/revisions\/3226"}],"wp:attachment":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/media?parent=2405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/categories?post=2405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}