{"id":2482,"date":"2017-01-27T16:05:03","date_gmt":"2017-01-27T16:05:03","guid":{"rendered":"http:\/\/ficae.es\/?page_id=2482"},"modified":"2022-05-02T16:33:39","modified_gmt":"2022-05-02T16:33:39","slug":"ivam-3-ficae","status":"publish","type":"page","link":"https:\/\/ficae.es\/en\/ivam-3-ficae\/","title":{"rendered":""},"content":{"rendered":"

<\/p>\n

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\"2\"<\/a><\/p>\n

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IVAM Institut Valenci\u00e0 d\u2019Art Modern<\/strong><\/a>
\nCalle Guillem de Castro, 118
\n46003 Valencia<\/p>\n

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THURSDAY, MARCH 2<\/h5>\n
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MORNING<\/b><\/span>\r\n11:00-14:00 h<\/pre>\n\n\n\n
CELLS<\/strong><\/p>\n
Cancer is one of the diseases most represented in the audiovisual field. Five diverse short films that are characterized by three issues: the fight to overcome the disease, the mutual support of relatives of affected people and the changes that it produces in the perceptions about life, work and the affective environment.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Present the block<\/strong>: Maite Mont\u00f3n Barranco, of the\u00a0Association ASACO (Asociaci\u00f3n De Afectados Por C\u00e1ncer De Ovario<\/a>) and Author of the\u00a0blog Lazos contra el c\u00e1ncer<\/a>.<\/em><\/p>\n
Raisa, <\/em>Pavel Cuzuioc, Moldavia, 15\u2019
\nLa voix du p\u00e8re (Rock\u2019n\u2019Roll Will Never Die<\/em>), Mathias Rifkiss\/Colas Rifkiss, Francia, 20\u2019
\nSoy Unoentrecienmil, <\/em>Pen\u00e9lope Cruz, Espa\u00f1a, 30\u2019
\nSHELL, <\/em>Daniel Ahrens, Alemania, 4\u2019
\nLingua Absentia, <\/em>Kate Raney, Estados Unidos, 10\u2019<\/p>\n
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CONTEXTS (1)<\/strong><\/p>\n
In this block seven short films are presented in which the disease is presented as part of life, not as something exceptional, but in the same context. Suffering, adaptation to adverse circumstances through music, practicing medicine in rural areas or a hard reflection on how the art world understands disease, are some of the themes that we will find in this block.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: \u00c0lvar Mart\u00ednez Vidal, Researcher\u00a0at\u00a0Instituto de Historia de la Medicina y de la Ciencia L\u00f3pez Pi\u00f1ero<\/a>,<\/a> de la Universitat de Val\u00e8ncia.<\/p>\n
La casa de piedra, <\/em>Vanesa Abajo P\u00e9rez, Espa\u00f1a, 12\u2019
\n\u0424\u0435\u043b\u0434\u0448\u0435\u0440\u044a\u0442 \u0441 \u043c\u043e\u0442\u043e\u0440 <\/em>(The Paramedic on a Motorbike<\/em>), Borislav Stankov, Bulgaria, 25\u2019
\nSi la gente no te entiende, busc\u00e1 otra gente <\/em>(If People Don\u2019t Get You, Get Other People<\/em>), Paula Pallares, Argentina, 16\u2019<\/p>\n
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FRIDAY, MARCH 3<\/h5>\n
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MORNING<\/strong>\r\n11:00-15:00 h<\/pre>\n\n\n\n
THE GOOD DEATH<\/strong><\/p>\n
In this block of seven short films we will see different situations on how to face the decision to leave life, and also circumstances in which the family environments refuse to the therapeutic enrage.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: Javier Velasco, President of the Asociation Derecho a Morir Dignamente de la Comundiad Valenciana<\/a><\/p>\n
Donde caen las hojas<\/em> (Where Leaves Fall), Alicia Albares Mart\u00ednez, Espa\u00f1a, 19\u2019, Ficci\u00f3n
\nThe Stroll<\/em>, Ki-hun Shin, Corea del Sur, 13\u2019,Ficci\u00f3n
\nPomahoba<\/em> (Romanova), Taymuraz Gogaev, Rusia, 16\u2019, Ficci\u00f3n
\nPromissum<\/em>, Sverre Gr\u00e5blomst Galgum, Noruega, 6\u2019, Ficci\u00f3n
\n\uc548\uac1c \uc704\uc5d0 (Above the Mist), Gabriel Galand, Corea del Sur, 8\u2019, Ficci\u00f3n
\nHanging<\/em>, Nick LeDonne, Estados Unidos, 6\u2019, Aniamaci\u00f3n
\nNouazeci si doi mai mult sau mai putin<\/em> (Ninety-two More or Less), Brindusa Ioana Nastasa, Romania, 17\u2019<\/p>\n
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SPACES OF REFLECTION<\/b><\/span>
\nWork table:\u00a0The good death<\/i>
\n13:00-14:30 h
\nIVAMlab
\nWith the colaboration of Javier Velasco, President of \u00a0Asociaci\u00f3n Derecho a Morir Dignamente (DMD) de la Comunidad Valenciana.<\/a>
\nMethodological direction of the work table: Ana\u00efs Florin, artist and researcher<\/p>\n
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CARES<\/strong><\/p>\n
Four short films that show the field of cares facilitated by those who care for people in the processes of cronicity. Some show how the people in charge condition life, but this does not preclude reflection on old age and death; Others show us disconcerting end result of overwhelming dependence.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: Julio Fern\u00e1ndez Garrido – Dean of the Faculty of Nursing and Podiatry\/UV<\/p>\n
Con sana alegr\u00eda <\/em>(Days of Wholesome Joy<\/em>), Claudia Mu\u00f1iz P\u00e9rez, Cuba, 18\u2019, Fiction
\nInside the Wolf\u2019s Belly: Adventures of Little Red Cap<\/em>, Lidiya Huzhva, Ukraine, 10\u2019, Fiction
\nRiphsime and Shota, <\/em>Lasha Basharuli, Georgia, 13\u2019, Documentary
\nLa profesora de ingl\u00e9s <\/em>(The English Teacher<\/em>), Al\u00e1n Gonz\u00e1lez, Cuba, 16\u2019, Fiction<\/p>\n
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AFTERNOON<\/b><\/span>\r\n16:00-21:00 h<\/pre>\n\n\n\n
STIGMAS<\/strong><\/p>\n
Stigma continues to persist around many diseases. In this block we can find different approaches to HIV and AIDS one of the diseases that more rejection still causes and therefore more stigmatizing oppresion supports.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: David Peyr\u00f3, of\u00a0Col\u00b7lectiu Lambda de lesbianas, gais, transexuales y bisexuales<\/a><\/p>\n
Give, <\/em>Ilias Walchshofer, Alemania, 15\u2019
\nMeta, <\/em>Andr\u00e9 Baeta\/Miguel Trevisan, Portugal, 23\u2019
\nHorizonte de eventos, <\/em>(Event Horizon<\/em>), Gil Baroni, Brasil, 15\u2019
\n\u0416\u0435\u043d\u0449\u0438\u043d\u044b +<\/em> (Women+),<\/em> Nastia Kuzyakova, Rusia, 20\u2019<\/p>\n
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REFLECTION SPACES<\/strong>
\nWork table:\u00a0The controversy in HIV prevention<\/i>
\n18:00-19:30 h
\nIVAMlab
\nWith the colaboration of: David Peyr\u00f3, of\u00a0Col\u00b7lectiu Lambda de lesbianas, gais, transexuales y bisexuales,<\/a> Jos\u00e9 Canales, of\u00a0Comit\u00e9 Ciudadano Anti-Sida de la Comundad Valenciana,<\/a> AVACOS-H, Asociaci\u00f3n Valenciana VIH, SIDA y Hepatitis<\/a>\u00a0and Ram\u00f3n Espacio, of\u00a0CALCSICOVA, Coordinadora de Asociaciones <\/a>de VIH y sida de la Comunidad Valenciana.<\/a>
\nMethodological direction of the work table: Ana\u00efs Florin,\u00a0artist and researcher<\/p>\n
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GRAY SITUATIONS<\/strong><\/p>\n
Although by definition, syndrome and disease are clinical entities with a conceptually different framework, there are “gray situations” in pathology, which make it difficult to correctly identify certain processes in one category or another.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: Ricard Mamblona and Pepe Miralles, directors of\u00a0FICAE \u2013\u00a0Diseases International Short Film and Art Festival<\/p>\n
20 Minutes, <\/em>Asal Gharib, Ir\u00e1n, 10\u2019
\nLaisse moi <\/em>(Leave Me<\/em>), Tommaso Gorani, Francia, 17\u2019
\nFaux d\u00e9part <\/em>(Almost There<\/em>), Fran\u00e7ois Za\u00efdi, Francia, 9\u2019
\nBorn in Battle, <\/em>Yangzom Brauen, Suiza, 20\u2019
\nYamuk Ev<\/em> (The Skewed House<\/em>), \u00d6mer Ka\u00e7ar, Turqu\u00eda, 13\u2019
\nClean Dating, <\/em>Yan Decoppet\/C\u00e9dric Gottet, Suiza, 9\u2019
\nDUST – The wanted life, <\/em>Gabriele Falsetta, Alemania, 22\u2019
\nAlle tankers slekt <\/em>(All Thoughts Are Kin<\/em>), Aleksander Johan, Noruega, 25\u2019
\n\u5bb6<\/em><\/a> (Home), <\/em>Jabez Koh, Singapur, 6\u2019
\nLos ni\u00f1os que salieron de un agujero negro <\/em>(Children Who Came Out of a Black Hole<\/em>), David Esquivel, Espa\u00f1a, 15\u2019
\nFarv\u00e4l<\/em> (Farewell<\/em>), Anna Melin, Suecia, 5\u2019
\nImmersion, <\/em>Lalita Brunner, Suiza, 4\u2019
\nPowerman, <\/em>Alberto Serrano, Colombia, 9\u2019
\nOkay?, <\/em>Triet Le, Estados Unidos, 2\u2019<\/p>\n
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SATURDAY, MARCH\u00a05<\/h5>\n
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MORNING<\/strong>\r\n11:00-14:30 h<\/pre>\n\n\n\n
ABISMS<\/strong><\/p>\n
Alzheimer’s as a kind of “cognitive abyss”, is what evidences the short films that we present in this section. But the idea of abyss is more a construction of the accompanying than of the subjects to the disease. This is how we perceive and narrate this disease, when ideas, names, acts and people fade into the minds of those around us.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: Ana Mor\u00f3n Esteban, psychologist and manager\u00a0of\u00a0AFAV, Asociaci\u00f3n de Familiares Alzheimer Valencia<\/a><\/p>\n
One Last Dance, <\/em>Will Rowson, Reino Unido, 4\u2019
\nL’age de deraison, <\/em>(Age of Unreason<\/em>), Braunstein Philippe, Francia, 20\u2019
\nAvalon, <\/em>Vincenzo De Jonghe, B\u00e9lgica, 13\u2019
\n\ud6a8\uc790<\/em> (A Good Son<\/em>), Sangwook Ahn, Corea del Sur, 14\u2019
\nWhat Time Is It?, <\/em>Karine Versluis, Pa\u00edses Bajos, 6\u2019
\nEl abuelo <\/em>(The Grandfather<\/em>), Carlos Cuadrado Torrico, Espa\u00f1a, 18\u2019
\nSurrender, <\/em>Julien Gignac, Canad\u00e1, 17\u2019
\nLa geometria fragile della memoria <\/em>(A Fragile Geometry<\/em>), Ambra Tonini, Italia, 5\u2019
\nOne Last Dance, <\/em>Will Rowson, Reino Unido, 4\u2019<\/p>\n
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CONTEXTS (2)<\/strong><\/p>\n
In this block seven short films are presented in which the disease is presented as part of life, not as something exceptional, but in the same context. Suffering, adaptation to adverse circumstances through music, practicing medicine in rural areas or a hard reflection on how the art world understands disease, are some of the themes that we will find in this block.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block<\/strong>: Jos\u00e9 L. Barona, Researcher of Instituto de Historia de la Medicina y de la Ciencia L\u00f3pez Pi\u00f1ero<\/a>, de la Universitat de Val\u00e8ncia.<\/p>\n
Mr. Joe Lives Alone, <\/em>Daneeta L Jackson, Estados Unidos, 6\u2019
\nHidden Time, <\/em>Cewna DourandiSean, Ir\u00e1n, 14\u2019
\nGemelos<\/em> (Twins), Pablo Radice, Argentina, 13\u2019
\n\u0110\u00e0n B\u1ea7u<\/em> Lullaby (Dan Bau Lullaby), <\/em>Jakeb Anhvu, Vietnam, 9\u2019<\/p>\n
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AFTERNOON<\/strong>\r\n16-19 h<\/pre>\n\n\n\n
MISCELANEOUS<\/strong><\/p>\n
A mixture composed of short films that deal with different diseases, aphasia, migraine, childhood diabetes, parkinson, etc., which make up an abrupt and smooth geography, such as life, in which we are surrounded by people who go through disease processes, entering and Leaving, occupying lucid places and others more confused.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Presents the block:<\/strong> Ricard Mamblona and Pepe Miralles, directors of FICAE –\u00a0Diseases International Short Film and Art Festival<\/p>\n
Kollegen (Colleagues), <\/em>Damian Weber, Alemania, 11\u2019
\nBellanca, <\/em>V\u00edctor Nores, Espa\u00f1a, 18\u2019
\nSaudade, <\/em>Sahori Pacheco, M\u00e9xico, 16\u2019
\nNon \u00e8 volare (It\u2019s not About Flying<\/em>), Marcello Cotugno, Italia, 14\u2019
\nSterre, <\/em>Catherine van Campen, Pa\u00edses Bajos, 19\u2019
\nA World Within Four Walls, <\/em>Patdeep Chaudhuri, India, 23\u2019
\n\u062f\u0631<\/em> \u0622\u0631\u0627\u0645\u0634<\/em> \u0646\u0641\u0633<\/em> \u0628\u06a9-<\/em> (Breathe in Peace<\/em>), Mehdi Kuhkan, Ir\u00e1n, 11\u2019
\n[j\u00fcrg], <\/em>Raphael Meyer, Suiza, 19\u2019
\nBlood sugar, <\/em>Joe Hitchcock, Nueva Zelanda, 4\u2019
\nPersona. Estructuras primarias <\/em>(Persona. Primary Structures), Mikel Belascoain \/ Miguel Go\u00f1i Aguinaga <\/span>, Espa\u00f1a, 30\u2019, Documental<\/p>\n
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<\/p>","protected":false},"excerpt":{"rendered":"
IVAM Institut Valenci\u00e0 d\u2019Art Modern Calle Guillem de Castro, 118 46003 Valencia THURSDAY, MARCH 2 MORNING 11:00-14:00 h CELLS Cancer\u2026<\/p>\n
 Continue leyendo<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2482"}],"collection":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/comments?post=2482"}],"version-history":[{"count":35,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2482\/revisions"}],"predecessor-version":[{"id":3236,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2482\/revisions\/3236"}],"wp:attachment":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/media?parent=2482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/categories?post=2482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}