{"id":2507,"date":"2017-01-27T16:24:19","date_gmt":"2017-01-27T16:24:19","guid":{"rendered":"http:\/\/ficae.es\/?page_id=2507"},"modified":"2017-02-14T16:38:27","modified_gmt":"2017-02-14T16:38:27","slug":"posteres-peliculas-3-ficae","status":"publish","type":"page","link":"https:\/\/ficae.es\/en\/posteres-peliculas-3-ficae\/","title":{"rendered":"3FICAE Posters film"},"content":{"rendered":"

<\/p>\n

\n
FICTION <\/strong><\/pre>\n
\ud6a8\uc790<\/strong> (A Good Son), Sangwook Ahn, Corea del Sur, 14\u2019<\/p>\n
\"Print\"<\/a><\/p>\n
\n
Raisa<\/strong>, Pavel Cuzuioc, Moldavia, 15\u2019<\/p>\n
\"POSTER_RAISA\"<\/a><\/p>\n
\n
La voix du p\u00e8re<\/strong> (Rock\u2019n\u2019Roll Will Never Die), Mathias Rifkiss\/Colas Rifkiss, Francia, 20\u2019<\/p>\n
\"POSTER_ROCK'N'ROLL<\/a><\/p>\n
\n
20 minutes<\/strong>, Asal Gharib, Ir\u00e1n, 10\u2019<\/p>\n
\"POSTER_20<\/a><\/p>\n
\n
Laisse moi<\/strong> (Leave Me), Tommaso Gorani, Francia, 17\u2019<\/p>\n
\"POSTER_LEAVE<\/a><\/p>\n
\n
Faux d\u00e9part<\/strong> (Almost There), Fran\u00e7ois Za\u00efdi, Francia, 9\u2019<\/p>\n
\"POSTER_ALMOST<\/a><\/p>\n
\n
Born in Battle<\/strong>, Yangzom Brauen, Suiza, 20\u2019<\/p>\n
\"POSTER_BORN<\/a><\/p>\n
\n
YAMUK EV<\/strong> (The Skewed House), \u00d6mer Ka\u00e7ar, Turqu\u00eda, 13\u2019<\/p>\n
\"POSTER_THE<\/a><\/p>\n
\n
Clean Dating<\/strong>, Yan Decoppet\/C\u00e9dric Gottet, Suiza, 9\u2019<\/p>\n
\"Captura<\/a><\/p>\n
\n
GIVE<\/strong>, Ilias Walchshofer, Alemania, 15\u2019<\/p>\n
\"POSTER_GIVE\"<\/a><\/p>\n
\n
The Stroll<\/strong>, Ki-hun Shin, Corea del Sur, 13\u2019<\/p>\n
\"POSTER_THE<\/a><\/p>\n
\n
La profesora de ingl\u00e9s<\/strong> (The English Teacher), Al\u00e1n Gonz\u00e1lez, Cuba, 16\u2019<\/p>\n
\"POSTER_LA<\/a><\/p>\n
\n
Vida<\/strong> (Life), Rub\u00e9n R\u00edos, Espa\u00f1a, 17\u2019<\/p>\n
\"POSTER_VIDA\"<\/a><\/p>\n
\n
Nice Job<\/strong>, Tigran Sahakyan, Rusia, 13\u2019<\/p>\n
\"POSTER_NICE<\/a><\/p>\n
\n
The Truants<\/strong>, Aaron Dunleavy, Reino Unido, 13\u2019<\/p>\n
\"POSTER_THE<\/a><\/p>\n
\n
Con sana alegr\u00eda<\/strong> (Days of Wholesome Joy), Claudia Mu\u00f1iz P\u00e9rez, Cuba, 18\u2019<\/p>\n
\"POSTER_CON<\/a><\/p>\n
\n
KOLLEGEN<\/strong> (COLLEAGUES), Damian Weber, Alemania, 11\u2019<\/p>\n
\"POSTER_COLLEAGUES\"<\/a><\/p>\n
\n
Bellanca<\/strong>, V\u00edctor Nores, Espa\u00f1a, 18\u2019<\/p>\n
\"POSTER_BELLANCA\"<\/a><\/p>\n
\n
Saudade<\/strong>, Sahori Pacheco, M\u00e9xico, 16\u2019<\/p>\n
\"POSTER_SAUDADE\"<\/a><\/p>\n
\n
Non \u00e8 volare<\/strong> (It\u2019s not About Flying), Marcello Cotugno, Italia, 14\u2019<\/p>\n
\"POSTER_IT'S<\/a><\/p>\n
\n
Hidden Time,<\/strong> Cewna Dourandi Sean, Ir\u00e1n, 14\u2019<\/p>\n
\"POSTER_HIDDEN<\/a><\/p>\n
\n
xxxx
\n\u0635\u0628\u0627\u062d \u0627\u0644\u0646\u0648\u0631<\/strong> (Good Morning), Alhasan Yousef, Rep\u00fablica \u00c1rabe Siria, 13\u2019<\/p>\n
\"POSTER_GOOD<\/a><\/p>\n
\n
Siege<\/strong>, Thaer Al Shamali, Rep\u00fablica \u00c1rabe Siria, 2′<\/p>\n
\"POSTER_SIEGE\"<\/a><\/p>\n
\n
DOCUMENTAL<\/strong><\/pre>\n
What Time Is It<\/strong>, Karine Versluis, Pa\u00edses Bajos, 6\u2019<\/p>\n
\"Captura<\/a><\/p>\n
\n
El abuelo<\/strong> (The Grandfather), Carlos Cuadrado Torrico, Espa\u00f1a, 18\u2019<\/p>\n
\"POSTER_EL<\/a><\/p>\n
\n
La geometria fragile della memoria<\/strong> (A Fragile Geometry), Ambra Tonini, Italia, 5\u2019<\/p>\n
\"POSTER_A<\/a><\/p>\n
\n
Soy Unoentrecienmil<\/strong>, Pen\u00e9lope Cruz, Espa\u00f1a, 30\u2019<\/p>\n
\"POSTER_SOYUNOENTRECIENMIL\"<\/a><\/p>\n
\n
Los ni\u00f1os que salieron de un agujero negro<\/strong> (Children Who Came Out of a Black Hole), David Esquivel, Espa\u00f1a, 15\u2019<\/p>\n
\"POSTER_LOS<\/a><\/p>\n
\n
META<\/strong>, Andr\u00e9 Baeta & Miguel Trevisan, Portugal, 23\u2019<\/p>\n
\"Captura<\/a><\/p>\n
\n
Horizonte de eventos<\/strong> (Event Horizon), Gil Baroni, Brasil, 15\u2019<\/p>\n
\"POSTER_HORIZONTE<\/a><\/p>\n
\n
\u0416\u0435\u043d\u0449\u0438\u043d\u044b +<\/strong> (Women+), Nastia Kuzyakova, Rusia, 20\u2019<\/p>\n
\"POSTER_WOMEN+\"<\/a><\/p>\n
\n
Speechless in Japan<\/strong>, Weronika Mliczewska. Jap\u00f3n, 24\u2019<\/p>\n
\"POSTER_SPEECHLESS<\/a><\/p>\n
\n
Isabella Morra<\/strong>, Isabel Pagliai, Francia, 22\u2019<\/p>\n
\"Captura<\/a><\/p>\n
\n
A World Within Four Walls<\/strong>, Patdeep Chaudhuri, India, 23\u2019<\/p>\n
\"POSTER_A<\/a><\/p>\n
\n
xxx
\n\u062f\u0631 \u0622\u0631\u0627\u0645\u0634 \u0646\u0641\u0633 \u0628\u06a9\u0634<\/strong> (Breathe in Peace), Mehdi Kuhkan, Ir\u00e1n, 11\u2019<\/p>\n
\"POSTER_BREATHE<\/a><\/p>\n
\n
Persona. Estructuras primarias<\/strong> (Persona. Primary Structures), Mikel Belascoain, Espa\u00f1a, 30\u2019<\/p>\n
\"Persona<\/a><\/p>\n
\n
Gemelos<\/strong> (Twins), Pablo Radice, Espa\u00f1a, 13\u2019<\/p>\n
\"POSTER_GEMELOS\"<\/a><\/p>\n
\n
Si la gente no te entiende, busc\u00e1 otra gente<\/strong> (If People Don’t Get You, Get Other People), Paula Pallares, Argentina, 16\u2019<\/p>\n
\"POSTER_SI<\/a><\/p>\n
\n
\u0424\u0435\u043b\u0434\u0448\u0435\u0440\u044a\u0442 \u0441 \u043c\u043e\u0442\u043e\u0440<\/strong> (The Paramedic on a Motorbike), Borislav Stankov, Bulgaria, 25\u2019<\/p>\n
\"Captura<\/a><\/p>\n
\n
Alan<\/strong>, Mohammad S. Jouri, Irak, 9\u2019<\/p>\n
\"POSTER_ALAN\"<\/a><\/p>\n
\n
ANIMATION<\/strong><\/pre>\n
One Last Dance<\/strong>, Will Rowson, Reino Unido, 4\u2019<\/p>\n
\"POSTER_ONE<\/a><\/p>\n
\n
SHELL<\/strong>, Daniel Ahrens, Alemania, 4\u2019<\/p>\n
\"POSTER_SHELL\"<\/a><\/p>\n
\n
Powerman<\/strong>, Alberto Serrano, Colombia, 9\u2019<\/p>\n
\"POSTER_POWERMAN\"<\/a><\/p>\n
\n
Hanging<\/strong>, Nick LeDonne, Estados Unidos, 6\u2019<\/p>\n
\"POSTER_HANGING\"<\/a><\/p>\n
\n
Mama, Tata, trebuie sa va spun ceva<\/strong> (Mom, Dad, I have to tell you something), Paul Muresan, Ruman\u00eda, 6\u2019<\/p>\n
\"POSTER_MOM,<\/a><\/p>\n
\n
Random Walks,<\/strong> Borb\u00e1la Tompa, Hungr\u00eda, 7\u2019<\/p>\n
\"POSTER_RANDOM<\/a><\/p>\n
\n
 <\/p>","protected":false},"excerpt":{"rendered":"
FICTION \ud6a8\uc790 (A Good Son), Sangwook Ahn, Corea del Sur, 14\u2019 Raisa, Pavel Cuzuioc, Moldavia, 15\u2019 La voix du p\u00e8re\u2026<\/p>\n
 Continue leyendo<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2507"}],"collection":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/comments?post=2507"}],"version-history":[{"count":6,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2507\/revisions"}],"predecessor-version":[{"id":3191,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/2507\/revisions\/3191"}],"wp:attachment":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/media?parent=2507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/categories?post=2507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}