{"id":274,"date":"2016-01-12T00:03:13","date_gmt":"2016-01-12T00:03:13","guid":{"rendered":"http:\/\/ficae.es\/?page_id=274"},"modified":"2016-03-05T07:43:05","modified_gmt":"2016-03-05T07:43:05","slug":"seleccion-oficial-2-ficae","status":"publish","type":"page","link":"https:\/\/ficae.es\/en\/seleccion-oficial-2-ficae\/","title":{"rendered":"SELECCI\u00d3N OFICIAL 2FICAE, Festival Internacional de Cortometrajes y Arte sobre Enfermedades \/ 2016"},"content":{"rendered":"

<\/p>\n

\n

 <\/p>\n

FICCI\u00d3N<\/pre>\n
Tear away<\/b>, Jiwen Pencheng, China, 15\u2019
\nMax, <\/b>Jonas Bloquet, Francia, 12\u2019
\nHaunted<\/b>, Adi Shaya, Israel, 13\u2019
\nLuftschloss<\/b> (What If\u2026)<\/b>, Olga Dinnikova, Suiza, 18\u2019
\nOmessa<\/b>, Charl\u00e8ne Favier, Francia, 19\u2019
\nBrenda<\/b>, Matteo Bertoli, Irlanda, 11\u2019
\nPromise Me<\/b>, Kevin Machate, EEUU
\nSamen Thuis, Samen Uit<\/b>, Siel de Schepper, B\u00e9lgica, 12\u2019
\nPas la peine d’apporter des fleurs (<\/b>No Need To Bring Flowers<\/b>)<\/b>, J\u00e9r\u00f4me Walter Gueguen, Francia, 12\u2019
\nCage<\/b>, Wei Ziheng, China, 17\u2019
\nEl m\u00e9dico seriamente enfermo<\/b> (<\/b>The Seriously Ill Doctor<\/b>)<\/b>, Ra\u00fal Veiga Rouriz, Espa\u00f1a, 15\u2019
\n#99<\/b>, Fabio Landi, Italia, 15\u2019
\n\u043d\u0438\u043a\u0442\u043e \u043d\u0435 \u0443\u043c\u0438\u0440\u0430\u0435\u0442 \u043f\u043e \u0443\u0442\u0440\u0430\u043c<\/b> (<\/b>No One Dies in the Mornings)<\/b>, Alexander Koruchekov, Rusia, 15\u2019
\nAwake, <\/b>Michael Achtman, Reino Unido, 22\u2019
\nBeyond the Blue<\/b>, Elena Sala, Reino Unido, 15\u2019
\nProzac<\/b>, Fabio PS, Espa\u00f1a, 16\u2019
\nEl s\u00edndrome de Estocolmo<\/b> (Stockholm Syndrome), <\/b>Aitor Gonz\u00e1lez Iturbe, Espa\u00f1a, 15\u2019
\nJames<\/b>, Claire Oakley, Reino Unido, 15\u2019
\nPsychosofatic<\/b>, Werther Germondari y Maria Laura Spagnoli, Italia, 4\u2019
\nLa condena (Damnation),<\/b> Marc Nadal Manzanares, Espa\u00f1a, 7\u2019
\nAmbivalence<\/b>, Tine Lammens, B\u00e9lgica, 7\u2019
\nPuzzle<\/b>, R\u00e9my Rondeau, Francia, 15\u2019
\n\u010cek\u00e1rna<\/b> (<\/b>The Waiting Room)<\/b>, Filip Kili\u00e1n, Rep\u00fablica Checa, 6\u2019
\nAlula<\/b>, Fernando Guisa, Canad\u00e1, 4\u2019
\nEl espejo humano (The Human Mirror)<\/b>, Marc Nadal Manzanares, Espa\u00f1a, 15\u2019
\nSweet. Loving. Caring.<\/b>, Emma Healy, Irlanda, 6\u2019
\nALMAmATER<\/b>, Emanuele Giusto y Carlos Tejeda, Espa\u00f1a, 10\u2019
\nUne odeur de pique-nique<\/b> (<\/b>Something to Do with Love)<\/b>, Luc Serrano, Francia, 9\u2019
\nReA<\/b>, Kerem Akbas, Turqu\u00eda, 14\u2019
\nThe Visceral Garden<\/b>, John A. Douglas, Australia, 17\u2019
\nUpdate<\/b>, Franziska Br\u00e4ndle, Alemania, 11\u2019
\nNelly<\/b>, Chris Raiber, Austria, 17\u2019
\nDrau\u00dfen Ist Wo Du Nicht Bist<\/b> (We Are Outside Playing in the Garden)<\/b>, Friederike Hoppe, Alemania, 10\u2019
\nDirge<\/b>, Firas Momani, Canad\u00e1, 7\u2019
\nL’Amour Rend Aveugle<\/b> (Love Is Blind)<\/b>, Sabine Crossen, Francia, 15\u2019
\nMax and Aimee<\/b>, Michael Alex Pearce, EEUU, 15\u2019
\nPigeon<\/b>, Luca Milillo, Reino Unido, 7\u2019
\nEdesia<\/b>, Dennis Earlie, Irlanda, 7\u2019
\nAna<\/b>, Nika Vah\u010di\u010d y Marko Bi\u010dani\u0107, Croacia, 2\u2019
\nMisshape<\/b>, Andreas Guzm\u00e1n, Espa\u00f1a, 7\u2019
\nThe Surgeons<\/b>, Siar Sedig, Pa\u00edses Bajos, 4\u2019
\nHarvest<\/b>, Filise Persaud, Antigua y Barbuda, 4\u2019
\nEl enroque (The Castling)<\/b>, Mercedes Laborde, Argentina, 14\u2019
\nQue la nuit soit douce (Sweet Night)<\/b>, Fr\u00e9d\u00e9ric Recrosio, Suiza, 5\u2019
\nChronicle of Chronic Pain<\/b>, Diana Galimzyanova, Rusia, 6\u2019
\nLa douleur (The Pain)<\/b>, Ali Asgari, Francia\/Ir\u00e1n, 16\u2019
\n\u5f9e\u6b64\u904e\u8457\u5e78\u798f\u5feb\u6a02\u7684\u65e5\u5b50<\/b> (She Moaned),<\/b> Guo Mao-Quan, Taiw\u00e1n, 18\u2019
\nIn Reality<\/b>, Kasule Douglas ‘Benda’, Uganda, 12\u2019
\nHijas (Daugthers)<\/b>, K. Prada y J. Prada, Espa\u00f1a, 8\u2019
\nThe Right Combination<\/b>, Takafumi Sakabe, EEUU, 15\u2019
\nFear of Light<\/b>, Khaled Alsbaai, Arabia Saud\u00ed, 3\u2019
\nColourful Knots<\/b>, Polen Ly, Camboya, 7\u2019
\n\u6587\u7389<\/b> (Wenyu)<\/b>, Xiaotong Liu, China,
\nBefore We Lose<\/b>, Cristhian Andrews, Reino Unido, 17\u2019<\/p>\n
DOCUMENTAL<\/pre>\n
Sol, solet (<\/b>Lonely Sun<\/b>)<\/b>, Joanna Guillemot, Espa\u00f1a, 11\u2019
\nBracia (Brothers)<\/b>, Szymon Jan Sinoff, Polonia, 12\u2019
\nMitten aus dem Leben<\/b> (A Slice of Life)<\/b>, Lisa Kielmansegg-Kaan, Austria, 16\u2019
\nUno+uno,<\/b> Eva Moreno y Juan Carlos Vellido, Espa\u00f1a, 4\u2019
\nPastilleros (<\/b>Pill-poppers<\/b>),<\/b> Jose Luis Santiago Gordillo, Espa\u00f1a, 13\u2019
\nDisturbtion<\/b>, Marthin Ciszek, Reino Unido, 6\u2019
\nMental Asylum<\/b>, Susanne Wawra, Irlanda, 8\u2019
\nGedanken \u00dcbermacht<\/b> (Thoughts Overpower)<\/b>, Oliver V\u00f6lkel, Alemania, 19\u2019
\nGleichgewicht<\/b> (Keeping Balance)<\/b>, Bernhard Wenger, Austria, 6\u2019
\nJulian<\/b>, Julia Furer, Suiza, 20\u2019
\nLeven, Liefde & HIV<\/b> (<\/b>Life, Love & HIV)<\/b>, Nadia Mossaid, Pa\u00edses Bajos, 16\u2019
\nA New Family<\/b>, Simoni Manet, Italia, 12\u2019
\nSaba<\/b>, Sara Santos, Portugal, 19\u2019
\nEin Moment Bei Unserer Gro\u00dfmutter<\/b> (A Moment at Grandma’s<\/b>,) Jannis Alexander Kiefer, Alemania, 8\u2019
\nBRCA2<\/b>, Natasha Hall, Reino Unido, 8\u2019
\nA Place Good Enough<\/b>, Emilie Norenberg, Noruega, 17\u2019
\nTrencadis<\/b>, Mart\u00edn Caletrio, Espa\u00f1a, 30\u2019
\nSzenen Eines Abschieds<\/b> (Farewell Scenes)<\/b>, Alina Cyranek, Alemania, 22\u2019
\nAs Dreams Go By<\/b>, Luka Dicorato, Reino Unido, 23\u2019
\nNo se puede elegir (<\/b>This Can Not Be Chosen<\/b>)<\/b>, Miguel A. Zamora, Espa\u00f1a, 12\u2019
\nEn mi piel (<\/b>In My Skin)<\/b>, <\/b>Eduard M. Arcediano, Espa\u00f1a, 12\u2019
\nEl sanador (<\/b>The Healer<\/b>),<\/b> Daniel Melguizo, Espa\u00f1a\/M\u00e9xico, 6\u2019
\nHarast\u00f8len (Harastolen)<\/b>, Charlotte Helleland y Ronald Eliassen Hole, Noruega, 25\u2019
\nGertrudis<\/b>, Medardo Amor Mart\u00edn, Espa\u00f1a, 23\u2019
\nA Cold Land<\/b>, Shahriar Pourseyedian, Ir\u00e1n, 20\u2019
\nBenden \u00d6nce<\/b> (Before Me)<\/b>, Mehmet Emre Gul, Turqu\u00eda, 21\u2019
\nMain Hoon (I Exist)<\/b>, Faryal Malik, Pakist\u00e1n, 10\u2019
\nThe Fall (Advance Copy)<\/b>, Chen Chenyu, EEUU, 26\u2019
\nWater Ghost<\/b>, Wen Li, EEUU, 22\u2019
\n\u00c1ngeles con zapatos (Angels with Shoes)<\/b>, Dan P\u00e9rez, EEUU, 12\u2019<\/p>\n
ANIMACI\u00d3N<\/pre>\n
Juana y Mateo contra el Chagas<\/b> (Juana and Mateo Against the Chagas)<\/b> Juan Manuel Costa, Argentina, 3\u2019
\nThe Lives of Others<\/b>, Bahareh Ahmadi y Ali Zare Ghanatnowi, Ir\u00e1n, 1\u2019
\nMarius<\/b>, Pierre Julien Fieux, Francia, 4\u2019
\nMy Ms. Rain<\/b>, MirTohid Razavi, Ir\u00e1n, 7\u2019
\nRuben Leaves<\/b>, Frederic Ziegel, Suiza, 5\u2019
\nSRY BSY<\/b>, Verena Westphal, Alemania, 3\u2019
\nThe Mask<\/b>, Athina Kanellopoulou, Grecia, 1\u2019
\nHer and Hubbub<\/b>, Kyle Xuereb Cunnungham, Malta, 3\u2019
\nQuacksalver<\/b>, Jorn Leeuwerink, Pa\u00edses Bajos, 3\u2019
\nLink<\/b>, Maayan Erlich, Israel, 6\u2019
\nRed<\/b>, Ario Saffarzadegan, Ir\u00e1n, 1\u2019
\nCairo 52<\/b>, Dominique Birrer, Suiza, 4\u2019
\nFat<\/b>, Camila Monart, Canad\u00e1, 3\u2019
\nDerakht (The Tree)<\/b>, Sare Shafipour, Ir\u00e1n, 5\u2019
\nLast words<\/b>, Xue Yuwen, Reino Unido, 3\u2019
\nProsopon<\/b>, Thomas Thoma, EEUU, 4\u2019
\nEugenesia (Eugenics)<\/b>, Carol S\u00e1nchez, Espa\u00f1a, 5\u2019
\nApollo, Daphne and the Darkness,<\/b> Martina Mrazova, Rep\u00fablica Checa, 4\u2019
\nPhobia<\/b>, Tymur Markunin, Canad\u00e1, 2\u2019
\nDolly Doctor<\/b>, Jos\u00e9 Manuel Garc\u00eda \u00c1lvarez, Espa\u00f1a, 7\u2019
\nSpirit Away<\/b>, Betina Kuntzsch, Alemania, 7\u2019
\nMer Depr\u00e9<\/b>, Margaret Orr, EEUU, 6\u2019
\nProducts<\/b>, JungHo Bang, Corea del Sur, 4\u2019<\/p>","protected":false},"excerpt":{"rendered":"
  FICCI\u00d3N Tear away, Jiwen Pencheng, China, 15\u2019 Max, Jonas Bloquet, Francia, 12\u2019 Haunted, Adi Shaya, Israel, 13\u2019 Luftschloss (What\u2026<\/p>\n
 Continue leyendo<\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/274"}],"collection":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":19,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/274\/revisions"}],"predecessor-version":[{"id":2030,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/274\/revisions\/2030"}],"wp:attachment":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/categories?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}