{"id":3804,"date":"2018-01-31T10:46:09","date_gmt":"2018-01-31T10:46:09","guid":{"rendered":"http:\/\/ficae.es\/?page_id=3804"},"modified":"2018-02-20T12:21:37","modified_gmt":"2018-02-20T12:21:37","slug":"programa-4ficae","status":"publish","type":"page","link":"https:\/\/ficae.es\/en\/programa-4ficae\/","title":{"rendered":"4FICAE PROGRAMMING"},"content":{"rendered":"<div id=\"pl-3804\"  class=\"panel-layout\" ><div id=\"pg-3804-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-0-0-0\" class=\"so-panel widget widget_nav_menu panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"menu4ficae\" class=\"panel-widget-style panel-widget-style-for-3804-0-0-0\" ><div class=\"menu-menu-programa-4ficae-container\"><ul id=\"menu-menu-programa-4ficae\" class=\"menu\"><li id=\"menu-item-4041\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4041\"><a href=\"#apertura4ficae\">OPENING<\/a><\/li>\n<li id=\"menu-item-4044\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4044\"><a href=\"#seccionoficial\">OFFICIAL SECTION<\/a><\/li>\n<li id=\"menu-item-4045\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4045\"><a href=\"#secciondmd\">DMD SECTION<\/a><\/li>\n<li id=\"menu-item-4046\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4046\"><a href=\"#clausura\">CLOSING<\/a><\/li>\n<li id=\"menu-item-4047\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4047\"><a href=\"#seccionparalelacine\">PARALLEL SECTION &#8211; CINEMA<\/a><\/li>\n<li id=\"menu-item-4048\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-4048\"><a href=\"#seccionparalelaarte\">PARALLEL SECTION &#8211; ART<\/a><\/li>\n<\/ul><\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div id=\"apertura4ficae\" class=\"panel-widget-style panel-widget-style-for-3804-1-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<hr \/>\n<h5 style=\"text-align: center\"><strong>OPENING 4FICAE \/ IVAM<\/strong><\/h5>\n<hr \/>\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">FRIDAY, 23 FEBRUARY, 19 h - 21 h<\/span><\/p>\n<p style=\"text-align: center\">With the special screening of<strong> Arreta<\/strong><\/p>\n<p style=\"text-align: center\">With the presence of its directors,<strong> Mar\u00eda Zafra<\/strong>\u00a0and<strong>\u00a0Raquel Marques<\/strong><\/p>\n<p style=\"text-align: center\">With the presence of its protagonist,<strong> Ainhoa Irueta<\/strong><\/p>\n<p style=\"text-align: center\">Documentary, 60' (Spain, 2016)<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div id=\"seccionoficial\" class=\"panel-widget-style panel-widget-style-for-3804-2-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<h5 style=\"text-align: center\"><strong>OFFICIAL SECTION 4FICAE \/ IVAM (Sal\u00f3n de Actos)<\/strong><\/h5>\n<hr \/>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><span style=\"text-decoration: underline\">WEDNESDAY, 28 FEBRUARY<\/span><\/p>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><em>Morning, 11 - 14 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>HIV - AIDS<\/strong><\/p>\n<p>With the participation of <strong>Ram\u00f3n Espacio<\/strong>, President of CESIDA, member of CALCSICOVA and HIV activist from 1993;<strong> David Peyr\u00f3<\/strong>, volunteer\u00a0of LGTBI+ of\u00a0Colectivo Lambda; <strong>V\u00edctor Mart\u00ednez Mart\u00ednez<\/strong>, President\u00a0of AVACOS-H, Asociaci\u00f3n Valenciana VIH, SIDA y Hepatitis and <strong>Afioco<\/strong>, collaborator of Apoyo Positivo and director of <em>In the Wall<\/em>.<\/p>\n<p><strong>In the Wall<\/strong>, Afioco, Spain, Fiction, 12'<\/p>\n<p><strong>Po gladini<\/strong> <strong>(Skipping Stones)<\/strong>, Bla\u017e Slana, Slovenia, Fiction, 19'<\/p>\n<p><strong>Positive Youtubers<\/strong>, Leandro Goddinho, Germany, Documentary, 15'<\/p>\n<p><strong>The Condom Man<\/strong>, Cara Holmes, Ireland, Documentary, 12'<\/p>\n<p><strong>You Can't Hide From The Truth<\/strong>, A.a.v. Amasi, United Kingdom, Documentary, 29'<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><em>Afternoon, 16 - 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>CANCER<\/strong><\/p>\n<p style=\"text-align: justify\">With the participation of <strong>Paloma Luis Ortiz<\/strong>, Vicepresident of ASACO (Association of People Affected by Ovarian and Gynecological Cancer) and <strong>Maite Mont\u00f3n<\/strong>, author of the blog <em>Lazos contra el c\u00e1ncer<\/em> and member of ASACO.<\/p>\n<p><strong>Anna<\/strong>, Lilian Hess, Germany, Documentary, 5'<\/p>\n<p><strong>Annunciation,<\/strong> Halit Ruhat Yildiz, Germany, Fiction, 22\u2019<\/p>\n<p><strong>Il Silenzio (The Silence)<\/strong>, Ali Asgari, Italy, Fiction, 15'<\/p>\n<p><strong>In Fine<\/strong>, Inge Snijders, Belgium, Documentary, 7'<\/p>\n<p><strong>Lonely Hearts Club<\/strong>, David Figueroa Garc\u00eda &amp; Bj\u00f6rn Hering, Switzerland, Fiction, 11'<\/p>\n<p><strong>Menos del 1% (Less Than One Percent)<\/strong>, David Figueroa Garc\u00eda, Mexico, Fiction, 11'<\/p>\n<p><strong>Mom &amp; Dad<\/strong>, Shirin Qaredaqi, Iran, Documentary, 7'<\/p>\n<p><strong>Motion Pictures<\/strong>, Matthew Incontri, USA, Animation, 10'<\/p>\n<p><strong>Ser\u00e9 la semilla (I Will Be The Seed)<\/strong>, Juan Dar\u00edo Almagro, Argentina, Documentary, 27'<\/p>\n<p style=\"text-align: left\"><strong>\u00a0<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-6-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><span style=\"text-decoration: underline\">THURSDAY, 1 MARCH<\/span><\/p>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-7-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><em>Morning, 11 - 14 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>PSIQUE 1<\/strong><\/p>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Con la participaci\u00f3n de<strong> Rosa Ba\u00f1os<\/strong>, profesora de psicopatolog\u00eda en\u00a0la Facultat de Psicologia de la Universitat de Val\u00e8ncia y miembro de la Red PROMOSAN (Red para la Promoci\u00f3n de la Salud Mental).<\/p>\n<p><strong>Cold Void<\/strong>, Claudio Marino, Sweden, Documentary, 22'<\/p>\n<p><strong>Grand Huit (Hide and Seek)<\/strong>, Camille Fleury, France, Fiction, 24'<\/p>\n<p><strong>Gris (Gray)<\/strong>, Juli\u00e1n Villegas, Colombia, Animation, 6'<\/p>\n<p><strong>Hum<\/strong>, Nathan Fagan, Ireland, Documentary, 19'<\/p>\n<p><strong>Juin Juillet (June July)<\/strong>, Emma S\u00e9m\u00e9ria, France, Fiction, 18'<\/p>\n<p><strong>Pipe Dream,<\/strong> Normann Bjorvand, Sweden, Fiction, 5\u2019<\/p>\n<p><strong>Ulyst <\/strong>(<strong>OverLove)<\/strong>, Clara Tufte, Denmark, Fiction, 22'<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-7-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><em>Afternoon, 16 - 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>PSIQUE 2<\/strong><\/p>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Con la participaci\u00f3n de <strong>Rosa Ba\u00f1os<\/strong>, profesora de psicopatolog\u00eda en la Facultat de Psicologia de la Universitat de Val\u00e8ncia y miembro de la Red PROMOSAN;<strong> Isabel Borrell Gigante<\/strong>, <strong>No\u00e9 Ases Rodr\u00edguez<\/strong> y <strong>M\u00aa Luz Novella Benavent<\/strong>, Psic\u00f3loga, T\u00e9cnico en Integraci\u00f3n Social y Educador y persona usuaria de la Fundaci\u00f3n SASM.<\/p>\n<p><strong>Challenging Anxiety<\/strong>, Hanna Bj\u00f8rg Jonsdottir, Norway, Documentary, 12'<\/p>\n<p><strong>Fragmentos del Rey desmembrado (<\/strong><strong>Fragments of the Dismembered King<\/strong><strong>)<\/strong>, Alejandro Mi\u00f1arro Rodr\u00edguez, Spain, Fiction, 20\u2019<\/p>\n<p><strong>La Faim Va Tout Droit (Hunger Keeps Walking)<\/strong>, Giulia Canella, Italy, Fiction, 17'<\/p>\n<p><strong>La vida sigue igual (Life Goes On)<\/strong>, Mateo Cabeza, Spain, Documentary, 15\u2019<\/p>\n<p><strong>Lava<\/strong>, Max Gleschinski, Germany, Fiction, 10\u2019<\/p>\n<p><strong>Lilly<\/strong>, Gina Wenzel, Germany, Fiction, 25'<\/p>\n<p><strong>Para salvar Beth (To Save Beth)<\/strong>, Theodoro Cochrane &amp; Alan Medina, Brazil, Fiction, 20'<\/p>\n<p><strong>Ich zweifel also bin ich (Dubito Ergo Sum - I Doubt, Hence I Am<\/strong>), Florian Karner, Germany, Documentary, 15'<\/p>\n<p style=\"text-align: left\"><strong>\u00a0<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-8\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-8-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-9\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-9-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"11\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><span style=\"text-decoration: underline\">FRIDAY, 2 MARCH<\/span><\/p>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-10\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-10-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"12\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><em>Morning, 11 - 14 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>CARES<\/strong><\/p>\n<p style=\"text-align: justify\">Con la participaci\u00f3n de <strong>Amparo Gisbert<\/strong>, M\u00e9dico especialista en Medicina Familiar y Comunitaria del Hospital Cl\u00ednico Universitario de Valencia y Vicepresidenta de Sociedad Valenciana de Medicina Paliativa y <strong>Julio Fern\u00e1ndez Garrido<\/strong>, Decano de la Facultat d\u2019Infermeria i Podologia de la Universitat de Val\u00e8ncia.<\/p>\n<p><strong>Close Relations<\/strong>, Anna Simakova, Russia, Fiction, 30\u2019<\/p>\n<p><strong>\u0421\u0442\u043e\u0440\u0433\u0435<\/strong> <strong>(<\/strong><strong>Storge)<\/strong>, Katya Selenkina, Russia, Fiction, 29'<\/p>\n<p><strong>El camino al alba (Into the Dawn)<\/strong>, Jos\u00e9 Antonio Jim\u00e9nez Esquivel, Mexico, Documentary, 20'<\/p>\n<p><strong>Me gustar\u00eda que esto fuera una pesadilla (I Would Like This To Be a Nightmare)<\/strong>, Miguel Angel R. Billanini, Chile, Documentary, 15'<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-10-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-10-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"13\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><em>Afternoon, 16 - 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>MEMORY<\/strong><\/p>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Con la participaci\u00f3n de<strong> Ana M\u00aa Ruiz Cano<\/strong>, Presidenta de <a href=\"http:\/\/www.afav.org\">AFAV<\/a> (Asociaci\u00f3n Familiares Alzh\u00e9imer Valencia) y de <strong>Sonia S\u00e1nchez<\/strong>, trabajadora social de AFAV.<\/p>\n<p><strong>C\u0153ur de Chou (Sweet Cabbage)<\/strong>, M\u00e9lanie Dupuis-Roy, France, Fiction, 15'<\/p>\n<p><strong>Dodir na bol (The Touch to Pain)<\/strong>, Hadzi-Aleksandar Djurovic, Serbia, Fiction, 6'<\/p>\n<p><strong>Head Above Water<\/strong>, Eric Shahinian, USA, Fiction, 10\u2019<\/p>\n<p><strong>Hurto<\/strong>, Jer\u00f3nimo Garc\u00eda Castela, Spain, Fiction, 12\u2019<\/p>\n<p><strong>Julia y Manuel<\/strong>, I\u00f1aki S\u00e1nchez Arrieta, Spain, Fiction, 11\u2019<\/p>\n<p><strong>Maybe It's Me<\/strong>, Dimitris Simou, United Kingdom, Animation, 6'<\/p>\n<p><strong>Memory<\/strong>, Ilirjan Himaj, Kosovo, Fiction, 19'<strong>\u00a0<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-11\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"14\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-12\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-12-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-12-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"15\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><span style=\"text-decoration: underline\">SATURDAY, 3 MARCH<\/span><\/p>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-13\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-13-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"16\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\">\n<p style=\"text-align: center\"><em>Morning, 11 - 14 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>HEALTH CONTEXTS<\/strong><\/p>\n<p style=\"text-align: justify\">With the participation of <strong>\u00c0lvar Mart\u00ednez Vidal<\/strong>, Researcher at Instituto de Historia de la Medicina y de la Ciencia L\u00f3pez Pi\u00f1ero of the Universitat de Val\u00e8ncia.<\/p>\n<p><strong>Desayuno con pastillas (Breakfast with Pills)<\/strong>, Zac73dragon, Spain, Documentary, 10'<\/p>\n<p><strong>Happy Today<\/strong>, Giulio Tonincelli, France\/Italy, Documentary, 18'<\/p>\n<p><strong>\u00bfPara qu\u00e9 Dios si tenemos padre? <\/strong><strong>(Why God If We Have a Father?)<\/strong>, Cecilia Paviolo, Argentina, Documentary, 10'<\/p>\n<p><strong>Paula<\/strong>, Jes\u00fas L\u00f3pez Melgares, Spain, Fiction, 4'<\/p>\n<p><strong>The Shepherd<\/strong>, Joost van der Wiel, Netherlands, Documentary, 22'<\/p>\n<p style=\"text-align: center\"><strong>PARKINSON<\/strong><\/p>\n<p>Con la participaci\u00f3n de <strong>Pilar Rico<\/strong>, familiar de paciente de P\u00e1rkinson y vocal de la Junta Directiva de la Asociaci\u00f3n P\u00e1rkinson Valencia, y <strong>Mar\u00eda Jos\u00e9 Garc\u00eda<\/strong>, familiar de paciente de P\u00e1rkinson.<\/p>\n<p><strong>Feats of Modest Valour<\/strong>, Alice McDowell &amp; Mia Mullarkey, Ireland, Documentary, 27'<\/p>\n<p><strong>Salvado de las aguas<\/strong> <strong>(Saved From the Waters)<\/strong>, Mario M\u00e1nica, Mexico, Documentary, 12'<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-13-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-13-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"17\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><em>Afternoon, 16 - 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>MISCELLANY<\/strong><\/p>\n<p><strong>Bitte um Aufmerksamkeit (Your Attention Please)<\/strong>, Brigitte Gr\u00fcter, Switzerland, Documentary, 17'<\/p>\n<p><strong>Der Himmel ist \u00fcberall blau<\/strong> (<strong>The Sky Is Blue Everywhere)<\/strong>, Gina Wenzel, Germany, Fiction, 28'<\/p>\n<p><strong>L'inconnu sur la terre (The Stranger on Earth)<\/strong>, Chlo\u00eb Saint-Denis, United Kingdom, Documentary, 28'<\/p>\n<p><strong>The Curse of Don Scarducci<\/strong>, Chris Fondulas, USA, Fiction, 20'<\/p>\n<p><strong>Tonight<\/strong>, Rana Safiyari, Iran, Fiction, 19'<\/p>\n<p><strong>Maybe It's Me<\/strong>, Dimitris Simou, United Kingdom, Animation, 6'<\/p>\n<p><strong>Memory<\/strong>, Ilirjan Himaj, Kosovo, Fiction, 19'<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-14\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-14-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"18\" ><div id=\"secciondmd\" class=\"panel-widget-style panel-widget-style-for-3804-14-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<hr \/>\n<h5 style=\"text-align: center\"><strong>4FICAE DMD SECTION \/ OCTUBRE CCC<\/strong><\/h5>\n<hr \/>\n<h5>\u00a0<\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-15\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-15-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-15-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"19\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">MONDAY, 26 FEBRUARY, 18 - 21 h<\/span><\/p>\n<p style=\"text-align: center\"><strong>\u00a0THE GOOD DEATH<\/strong><\/p>\n<p style=\"text-align: center\">With the participation of <strong>Javier Velasco<\/strong> and <strong>M\u00aa Jos\u00e9 Alemany Anchel<\/strong>, President and Assistant\u00a0of <a href=\"http:\/\/www.eutanasia.ws\/principal.htm\">DMD Assotiation<\/a>\u00a0(Right to Die with Dignity) of the Community of Valencia.<\/p>\n<p style=\"text-align: center\"><strong>24H<\/strong>, Marie-Lou B\u00e9land, Canada, Fiction, 10'<\/p>\n<p style=\"text-align: center\"><strong>Anatema<\/strong>, Geni Lozano, Spain, Fiction, 12'<\/p>\n<p style=\"text-align: center\"><strong>Anhela<\/strong>, Diego Rufo Helguera, Spain, Fiction, 6'<\/p>\n<p style=\"text-align: center\"><strong>Au rythme o\u00f9 bat mon coeur (As My Heart Beats)<\/strong>, Christine Aubry, France, Fiction, 19'<\/p>\n<p style=\"text-align: center\"><strong>Clac!<\/strong>, Fabien Ara, France, Fiction, 20'<\/p>\n<p style=\"text-align: center\"><strong>\u041a\u043e\u043b\u0435\u0434\u0430<\/strong><strong> (Christmas)<\/strong>, Borislav Kolev, Bulgaria, Fiction, 17'<\/p>\n<p style=\"text-align: center\"><strong>Papua<\/strong>, Johnny Rey D\u00edaz, USA, Fiction, 14'<\/p>\n<p style=\"text-align: center\"><strong>Venice of the East<\/strong>, Bahaa Alkadumy, Iraq, Fiction, 25'<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-16\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-16-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"20\" ><div id=\"clausura\" class=\"panel-widget-style panel-widget-style-for-3804-16-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<h5 style=\"text-align: center\"><strong>CLOSING 4FICAE \/ IVAM<\/strong><\/h5>\n<hr \/>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-17\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-17-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"21\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">SATURDAY, 3 MARCH, 19:30 - 21 h<\/span><\/p>\n<p style=\"text-align: center\"><strong>Winning Awards<\/strong> and Screening of Winner's Short Films.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-18\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-18-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"22\" ><div id=\"seccionparalelacine\" class=\"panel-widget-style panel-widget-style-for-3804-18-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<h5 style=\"text-align: center\"><strong>PARALLEL SECTION 4FICAE - CINEMA<\/strong><\/h5>\n<hr \/>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-19\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-19-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"23\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><span style=\"text-decoration: underline\">MONDAY, 26 FEBRUARY,<em>\u00a0<\/em>11 - 14 h<\/span><\/p>\n<p style=\"text-align: center\"><strong>UNIVERSITAT POLIT\u00c8CNICA DE VAL\u00c8NCIA\u00a0-\u00a0FACULTAT DE BELLES ARTS DE SANT CARLES<\/strong><br \/> <em>Unstable Zone. Videoart, essay and experimentation<\/em><\/p>\n<p style=\"text-align: center\">Session presented by <strong>Lorena Rodr\u00edguez Mattal\u00eda<\/strong>, Professor of Fine Arts \/ UPV and <strong>Ricard Mamblona<\/strong>, codirector of FICAE.<\/p>\n<p style=\"text-align: center\"><strong>Alpha V. Charly<\/strong>, Anthony Cajan, France, 2\u201941\u201d<\/p>\n<p style=\"text-align: center\"><strong>Descomposici\u00f3n Aleatoria (Random Descomposition)<\/strong>, Karina R. Sandoval, Chile, 4\u201951\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Fried Barry<\/strong>, Ryan Kruger, South Africa, 3\u201925\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Frontera (Boundary)<\/strong>, Violeta Mora, Honduras, 2\u2019<\/p>\n<p style=\"text-align: center\"><strong>How Art You<\/strong>, Kimberly Berckmoes, Belgium, 4\u201931\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Hyper Hypo<\/strong>, Hannah Shea, USA, 2\u201949\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>I Did This To Myself<\/strong>, William Thomson, Australia, 3\u201950\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Lost Control<\/strong>, Chai,Tse-Chang, Taiwan, 5\u201954\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Meteora<\/strong>, Alexander Kang, China, 12\u2019<\/p>\n<p style=\"text-align: center\"><strong>Miller Fisher<\/strong>, Faiyaz Jafri, Hong Kong, 9\u201918\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Mr Anxiety Goes On A Date<\/strong>, 4inaroom, Rumania, 0\u201930\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Phonophobie<\/strong>, Murat Haschu, Germany, 3\u2019<\/p>\n<p style=\"text-align: center\"><strong>Recurring<\/strong>, Pietro Agnoletto, Italy, 2\u2019<\/p>\n<p style=\"text-align: center\"><strong>Rorschach<\/strong>, Claudia Wirth, Switzerland, 2\u201919\u2019\u2019<\/p>\n<p style=\"text-align: center\"><strong>Sekcja (<\/strong><strong>Dissection)<\/strong>, Aleksandra Drewniak, Poland, 1\u201915\u2019\u2019<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-20\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-20-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-20-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"24\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-21\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-21-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-21-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"25\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><span style=\"text-decoration: underline\">TUESDAY, 27 FEBRUARY<\/span><\/p>\n<p style=\"text-align: center\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-22\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-22-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-22-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"26\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p> <em>Morning, 11 - 14 h<\/em><\/p>\n<p><strong>UNIVERSITAT DE VAL\u00c8NCIA<\/strong><\/p>\n<p>FACULTAT D'INFERMERIA\u00a0<span style=\"font-family: 'Ubuntu Light'\">I PODOLOGIA (Sal\u00f3n de Grados)<\/span><\/p>\n<p><em>Cinema and Health\u00a0<\/em>- FICAE's Selection (1)<\/p>\n<p>Con la participaci\u00f3n de <strong>Julio Fern\u00e1ndez Garrido<\/strong>, Decano de la\u00a0Facultad de Enfermer\u00eda y Podolog\u00eda de la Universitat de Val\u00e8ncia.<\/p>\n<p><strong>Close Relations<\/strong>, Anna Simakova, Russia, Fiction, 30\u2019<\/p>\n<p><strong>\u0421\u0442\u043e\u0440\u0433\u0435 <\/strong><strong>(<\/strong><strong>Storge)<\/strong>, Katya Selenkina, Russia, Fiction, 29'<\/p>\n<p><strong>El camino al alba (Into the Dawn)<\/strong>, Jos\u00e9 Antonio Jim\u00e9nez Esquivel, Mexico, Documentary, 20'<\/p>\n<p><strong>Head Above Water<\/strong>, Eric Shahinian, USA, Fiction, 10\u2019<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-22-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-22-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"27\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p> <em>Morning, 11 - 13 h<\/em><\/p>\n<p><strong>UNIVERSITAT POLIT\u00c8CNICA DE VAL\u00c8NCIA<\/strong><\/p>\n<p>CASA DE L'ALUMNE<\/p>\n<p><em>Cyberdependence and technostress<\/em><\/p>\n<p><strong>Nerd Cave<\/strong>, Mads Reuther, Denmark, Fiction, 11'<\/p>\n<p><strong>Fomo<\/strong>, Am\u00e9d\u00e9e Sabra, Lebanon, Fiction, 20'<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-23\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-23-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-23-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"28\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p> <em>Afternoon, 16 - 18 h<\/em><\/p>\n<p><strong>CONSORCI HOSPITAL GENERAL UNIVERSITARI DE VAL\u00c8NCIA (Sal\u00f3n de Actos)<\/strong><\/p>\n<p><em>Cinema and Health<\/em> - FICAE's Selection (2)<\/p>\n<p>Con la participaci\u00f3n del <strong>Dr. Ricardo Campos<\/strong>, Subsecretario de la Conselleria de Sanitat Universal i Salut P\u00fablica de la Generalitat Valenciana\u200b\u00a0y el <strong>Dr. Francisco Quiles<\/strong>, Subdirector Gerente del Consorci Hospital General Universitari de Val\u00e8ncia.<\/p>\n<p><strong>Il Silenzio (The Silence)<\/strong>, Ali Asgari, Italy, Fiction, 15'<\/p>\n<p><strong>Juin Juillet (June July)<\/strong>, Emma S\u00e9m\u00e9ria, France, Fiction, 18'<\/p>\n<p><strong>Un equipo (A Team)<\/strong>, Manuel Ollero Ortiz, Spain, Fiction, 22'<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-3804-23-1\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-23-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"29\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p> <em>Afternoon, 19 - 21 h<\/em><\/p>\n<p><strong>PALAU DE CERVER\u00d3<\/strong><\/p>\n<p>INSTITUT D'HIST\u00d2RIA DE LA MEDICINA I DE LA CI\u00c8NCIA L\u00d3PEZ PI\u00d1ERO<\/p>\n<p><em>Ignorance and Empathy. Narratives of HIV.<\/em><\/p>\n<p>With the participation of <strong>Pilar Devesa<\/strong>, Responsible for Communication at CCASCV (Anti-AIDS Committee of the Community of Valencia) and director of \"Emfasis, HIV Stories\"; <strong>Afioco<\/strong>, collaborator of Apoyo Positivo and part of the technical film crew of \"High Risk\" and \"The Evidence\" and <strong>Ram\u00f3n Espacio<\/strong>,\u00a0president\u00a0of CESIDA, member\u00a0of CALCSICOVA and activist of\u00a0VIH since\u00a01993.<\/p>\n<p><strong>Alto riesgo (High Risk)<\/strong>, Juan Flahn, Spain, Fiction, 7'\u00a0(\"Indetectables\" serial, prod. by\u00a0Apoyo Positivo)<\/p>\n<p><strong>\u00c9nfasis. De historias de VIHda (Emfasis, HIV Stories<\/strong>), Pilar Devesa, Spain, Documentary, 29'\u00a0(Prod. by\u00a0Comit\u00e9 Antisida de la Comunidad Valenciana)<\/p>\n<p><strong>La evidencia (The Evidence)<\/strong>, Juan Flahn, Spain, Fiction, 5'\u00a0(\"Indetectables\" serial, prod. by\u00a0Apoyo Positivo)<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-24\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-24-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-24-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"30\" ><div id=\"seccionparalelaarte\" class=\"panel-widget-style panel-widget-style-for-3804-24-0-0\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<h5 style=\"text-align: center\"><strong>PARALLEL SECTIONS 4FICAE - ART<\/strong><\/h5>\n<hr \/>\n<h5><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-3804-25\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-25-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-25-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"31\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<\/p>\n<p style=\"text-align: center\"><u>SUNDAY, 25 FEBRUARY<\/u><\/p>\n<p style=\"text-align: center\"><em>Afternoon, 16 - 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>FUNDACI\u00d3 LA POSTA<\/strong><\/p>\n<p style=\"text-align: center\"><em>Conversa(c)tions: Artistic Practice and Visualization of Silenced Stories: The Case of the Workshop BODIES IN STRUGGLE.<\/em><\/p>\n<p style=\"text-align: center\">With the participation of Ana\u00efs Florin y Eva Fern\u00e1ndez, particpants at <em>BODIES IN STRUGGLE<\/em>.<\/p>\n<p style=\"text-align: center\">\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-26\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-26-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-26-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"32\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-27\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-27-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-27-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"33\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><u>MONDAY, 26 FEBRUARY<\/u><\/p>\n<p style=\"text-align: center\"><strong>UNIVERSITAT POLIT\u00c8CNICA DE VAL\u00c8NCIA<\/strong><\/p>\n<p style=\"text-align: center\">CAMPUS<\/p>\n<p style=\"text-align: center\"><em>Presbyopia - Psique<\/em><\/p>\n<p style=\"text-align: center\">February 26th - April 30th, 2018<\/p>\n<p style=\"text-align: center\">Intervention in two of the car park exits' of the UPV by Diana Larrea and Ultranature.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-28\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-28-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-28-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"34\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-29\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-29-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-29-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"35\" ><div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center\"><u>THURSDAY, 1 MARCH<\/u><\/p>\n<p style=\"text-align: center\"><em>Afternoon, 19 h<\/em><\/p>\n<p style=\"text-align: center\"><strong>PALAU DE CERVER\u00d3<\/strong><\/p>\n<p style=\"text-align: center\">INSTITUT D'HIST\u00d2RIA DE LA MEDICINA I DE LA CI\u00c8NCIA L\u00d3PEZ PI\u00d1ERO<\/p>\n<p style=\"text-align: center\">SALA JOS\u00c9 PUCHE<\/p>\n<p style=\"text-align: center\"><em>Epistemologies of prevention of HIV-Aids.<\/em><\/p>\n<p style=\"text-align: center\">Exhibition Opening. Until April 30th 2018.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-3804-30\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-3804-30-0\"  class=\"panel-grid-cell\" ><div id=\"panel-3804-30-0-0\" class=\"so-panel widget widget_sow-button panel-first-child panel-last-child\" data-index=\"36\" ><div class=\"so-widget-sow-button so-widget-sow-button-flat-071c6a7c1bdd\"><div class=\"ow-button-base ow-button-align-center\">\n\t<a href=\"https:\/\/ficae.es\/en\/sedes-4ficae\/\" class=\"ow-icon-placement-left ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t<span>\n\t\t\t\n\t\t\tAll venues here\t\t<\/span>\n\t<\/a>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>OPENING 4FICAE \/ IVAMFRIDAY, 23 FEBRUARY, 19 h &#8211; 21 hWith the special screening of ArretaWith the presence of its\u2026<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/ficae.es\/en\/programa-4ficae\/\">Continue leyendo<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":221,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[15],"_links":{"self":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/3804"}],"collection":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/comments?post=3804"}],"version-history":[{"count":118,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/3804\/revisions"}],"predecessor-version":[{"id":4170,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/pages\/3804\/revisions\/4170"}],"wp:attachment":[{"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/media?parent=3804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ficae.es\/en\/wp-json\/wp\/v2\/categories?post=3804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}